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Understanding
9/11Head of Proserpina
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- Publication date
- 1650– 1700
- Usage
- CC0 1.0 Universal
- Topics
- European Painting and Sculpture
- Item Size
- 34.8M
Head of Proserpina, 1650– 1700. After Gian Lorenzo Bernini (Italian, 1598–1680). Terracotta; overall: 15.2 x 10.3 cm (6 x 4 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1968.101
This work was long thought to be a fragment of a preliminary study for a large-scale marble sculpture by Gian Lorenzo Bernini in Rome depicting Pluto, the god of the underworld, dragging Proserpina away to be his wife. Bernini’s finished studies never had the scrape marks visible on the cheek, indicating another sculptor’s hand. The work was owned by Bernini’s family, and his many studio assistants often copied his work. This terracotta therefore may be by one of the more significant sculptors of this group. The subject conveys fleeting expressions of sadness, fear, and surprise, and would have interested sculptors learning to convey complex emotions.
This work was long thought to be a fragment of a preliminary study for a large-scale marble sculpture by Gian Lorenzo Bernini in Rome depicting Pluto, the god of the underworld, dragging Proserpina away to be his wife. Bernini’s finished studies never had the scrape marks visible on the cheek, indicating another sculptor’s hand. The work was owned by Bernini’s family, and his many studio assistants often copied his work. This terracotta therefore may be by one of the more significant sculptors of this group. The subject conveys fleeting expressions of sadness, fear, and surprise, and would have interested sculptors learning to convey complex emotions.
